Sunshine, sea and sculpture. A great way to spend my first day back in Stockholm.
For this week’s Friday Flickr I’ve returned to Sweden.
Millesgården, just outside of city centre Stockholm, is the former home of sculptor Carl Milles.
His house is now a gallery for sculpture and artwork. Best of all, the beautiful grounds, running down through terraced levels from the house to the sea, are a fabulous sculpture park.
I visited on my first day back in Stockholm when I returned from Northern Sweden. It was a hot, sunny, blue skies kind of day and Millesgården was the perfect way to spend most of it outside.
I took so many photos. I’d take a photo of a particular sculpture, then see if from a different angle or with a different backdrop and shoot a few more.
To access the Flickr album click on the image below.
My first Friday Flickr album is from Skansen Open-Air Museum in Stockholm. It was the world’s first open-air museum and is huge. AND it has bears!
As part of being super-organised with my new website (and being super-enthusiastic) I’ve decided to have a regular feature.
Yes, just like the real bloggers.
As I have an abundance of photos that I’m slowly trying to upload to Flickr, I thought I could do myself a favour and make my Flickr albums multi-functional by using them on here.
I’m also thinking that linking my social media accounts in this way might generate more readers and be good for my SEO. I sort of understand what SEO is and why it’s important, but actually I don’t really. Pearls of wisdom in the comments section below will be welcomed.
So, onto my first Friday Flickr (drummm rollll) …
It’s an album filled with the best of my photos from Skansen, a photogenic place if ever there was one.
Skansen can be found on the outskirts of Stockholm and was the world’s first open-air museum. It was opened in 1891 and has been growing ever since.
It showcases historic buildings from the full length of Sweden and also has a zoo and an aquarium. People dressed in periodic costume demonstrate crafts from times gone by like breadmaking and glass-blowing.
But best of all, I got to see bears. Real ones! They looked so cute and cuddly. Well, except for their huge claws. I think I’m probably glad I didn’t meet any in the wild when I walked the Kungsleden.
I spent a very long day wandering round and only stopped for one quick coffee (couldn’t miss out on fika, especially when it looked like this). I saw pretty much everything except the aquarium, but felt like I was rushing. I would have liked to have taken it slower and had more time to watch the animals. Two days would have been much better, but there were so many other things to see in Stockholm and my time was running out, so I couldn’t really justify it. I’d definitely go back again though.
Click on the image below to access the Flickr album.
Up Helly Aa has been and gone again. It’s always on the last Tuesday of January and brightens some of the darkest days in the British winter. Shetland being so far north, it gets even gloomier than Manchester. Something hard to believe with the gloomy, drizzly weather we’ve been having lately.
Last year I was fortunate to be able to spend a week in Shetland and attend the festivities. I got to have one of the most unforgettable experiences of my life (and there have been a few!) and to cross a challenge off my 60 things to do before I’m 60 list.
I’ve been following it closely online this year and wishing I was there. I’ve just been reminiscing with my photos. The low light, rain and fast moving Vikings made it difficult to get good photos, but even the worst photos have good memories behind them and I love looking back at them. I’ve selected a few of the better ones and have put together a Flickr album.
I’ve written a few other posts on Up Helly Aa and they can be found by clicking on the links below.
After my trip last year, I wrote about the day and the night parts of the festival.
I’ve also written an overview of what Up Helly Aa is.
My potted history of the festival can be found here.
Selma Lagerlöf is one of Sweden’s classic authors. She lived from 1858 to 1940 and worked as a teacher until the Swedish royal family persuaded her to give up teaching and supported her financially so she could develop her writing career. (Note to self: write to Queen and ask her to support me to give up teaching so I can write full-time).
Although she’d been writing since childhood, she wasn’t published until 1890. Once published there was no stopping her and it was only five years later that the royals began supporting her along with the Swedish Academy.
She travelled and some of her novels are set in the places she visited such as Italy and Jerusalem. In 1909 she became the first woman to win the Nobel Prize for Literature.
I first came across her when I was researching my trip to Sweden and looking for books to read by Swedish authors who write outside of the Nordic-Noir genre (of which I’d already devoured massively).
The Wonderful Adventures of Nils, published in 1906, tells the story of a young boy who misbehaves and is rather nasty. He is shrunk by a passing elf and ends up on the back of his famly’s white goose just as it decides to join a flock of passing wild geese and migrate to the far north of Sweden.
The book is all about the adventures he has travelling the length and breadth of Sweden with the geese.
Lagerlöf was commissioned to write the book by the National Teachers’ Association and it was intended as a geography reader for schools. She spent three years researching wildlife, geography and folklore before eventually publishing the book in 1906.
Although the book was intended for children, its remit made it a useful resource for me. I learnt a lot from it, as well as enjoying the story and her style of writing. It was in this book that I first heard of Skansen, a place I made sure I visited and spent a wonderful day at when I was in Stockholm.
Selma moved to Falun in the Dalarna region of central Sweden in 1897. Consequently, the Dalarnas Museum in Falun has a permanent exhibition on her and her work, including a replica of her study.
How wonderful is this study? I want one just like it.
She lived on the hill overlooking the town on what just happened to be the street where the prison I was staying in was. I tried to find her house, but as far as I can make out it no longer exists. Which is probably why her study is in the museum.
As well as the exhibition on Selma Lagerlöf, the museum gave an interesting overview on the culture of the region.
Paintings pictured different aspects of the culture and daily life. There were some great ones of the mine in Falun.
The local traditional costume is so colourful and detailed.
Dala horses are iconic images of this region. They have been made and sold since the 17th century. Even today the genuine articles are still hand-carved and hand-painted in the traditional colours.
The horses are decorated in a folk art style known as kurbits. This style was used on material, walls, crockery … just about everything that could be painted or printed really.
But back to Selma … the more I learn about her, the more I think I have in common with her. I made a list:
We’re both teachers
We both like writing
We’re both interested in the culture, folk tales, geography and wildlife of Sweden
We’ve both been to Italy and Jerusalem
We’ve stayed on the same street in Falun
So to continue following in her tracks, I just need to:
A chance to nosey around the old home of one of Sweden’s most loved writers.
I didn’t know much about August Strindberg – I’d seen one of his plays, Miss Julie, performed last year – but that was about all I knew. So I can’t say I was going to visit his old apartment because I’m a big fan. The real reason was because I’m nosey and love seeing how other people live.
Over the years, August Strindberg occupied 24 homes in Stockholm. He moved into the Blue Tower shortly after it was built and stayed for four years. Even though he didn’t stay long, this is the home he’s probably most associated with as it’s the only one open to the public.
As a new-build, the apartment was full of mod-cons like a toilet and central heating. He didn’t have a kitchen, but his building did have a lift.
The original lift is still there and taking it is quite an experience. There are no automatic doors here. The passenger (is that what you call someone who takes a lift?) is responsible for sliding and locking into position the doors and gates. The dark wood panelling, pull down seat and gold mesh made me feel as though I was a character in an old film.
The rooms of his apartment are pretty much as they were in his day with most of the furniture having been his own.
As the apartment had no kitchen he either ate out or had food delivered.
My favourite room was his study. If I love noseying around people’s homes, I love even more seeing their desks. Unfortunately, this was the only part of the apartment behind glass. I still got a good look though.
Even though electricity was included amongst the mod cons in the apartment, Strinberg didn’t use electric lighting. His lamps were powered by kerosene and he was partial to candlesticks in the shape of naked female bodies.
He used the highest quality writing implements – his pen nibs were made from British steel, his ink was French and his paper hand-made.
As well as writing plays and novels, he was interested in science, astronomy, occultism, painting and photography.
The apartment adjoining his also forms part of the museum and this is set up like a ‘real’ museum with lots of artefacts and pictures and plenty of information about his life and work.
The street outside his apartment looked worth exploring too, but I had other places to be. I think this is an area well worth coming back to though.
Stuffed swans and seven types of biscuit. Those were the days.
I’m an anthropologist. I’ve even got a certificate to prove it.
I don’t use my anthropology officially in my day-t0-day life, but unofficially? I find it a great excuse for being nosey. I love finding out about how other people live and think, about their beliefs, culture and traditions. Learning about other cultures is one of reasons I love travel so much.
Whenever I’m in a city with a cultural museum I put it high on my list of must-see places.
The Nordiska Museet (Nordic Museum) in Stockholm is Sweden’s largest museum of cultural history, so of course I had to spend a few hours there.
It’s situated next door to Sweden’s biggest tourist attraction, Vasa, so I combined the two on the same day. They were both included in the 3 day Stockholm Pass I’d bought as well, so I didn’t have worry about separate admission costs.
Here’s the blurb from the website:
The Nordic Museum has exhibitions about life and work, trends and traditions, in Sweden from the 16th century to today. Our collections include clothes and fashion, textiles, furniture and interiors, jewellery, photography, folk art, glass and china. The Museum was founded in 1873 by Artur Hazelius.
I wasn’t sure how interesting this was going to be from the description. Clothes, jewellery and china aren’t amongst the things I find most scintillating, but as I was already in the area and it wasn’t going to cost me anything, it was worth a look.
As it happened, I found it far more interesting than I’d hoped and I ended up staying until closing time.
Here’s some of what I found.
Around the turn of the last century it became more common to invite people round for coffee than for dinner. This wasn’t necesarily the easy option though, as it was expected that you would offer seven types of biscuits. And, get this, guests would be expected to try all seven types. It would be rude not to. With my love of all things fika, I’d have been in my element at one of these gatherings!
The upper echelons of society didn’t compeletely give up on their posh dinner parties though. Tables would glitter with gilt bronze, crystal, silver and mirrored glass. Each place setting was completed with a menu written in French (very posh) and a whole set of glasses. Each course was served with a different wine to accompany it and each wine was poured into a fresh glass. There were a lot of courses.
Dishes on a typical menu included chicken farce in broth, filled puff pastry, steamed turbot fillets, venison steak, ox-tongue farce, roasted hazel hen, goose-liver terrine, asparagus, English plum pudding, ice cream, cheese and fruit.
These weren’t choices; each dish was served as a separate course and everyone got a helping of everything. I don’t even know what half of them are, but it seems very meaty. I think I’d have stuck to the biscuits. And maybe the wine.
This dessert table had me salivating. I doubt I’d have been allowed to eat any of it though. Laws stated what the different classes could serve on their dessert tables. What? The poor were limited to nuts and honey-soaked fruit, whilst the rich could serve pretty much what they wanted.
For festive occassions the rich really went over the top. The centrepiece of this table is the roast swan that has been stuffed back into its plumage. The same plumage could be used over and again with a new roast sitting in it each time. Not sure I’d fancy that. Wouldn’t it get smelly?
The museum wasn’t all food. There were also displays on Swedish festivals which I found quite interesting. The displays on furniture, costume, and jewellery were ok, but it was the food through the ages that most caught my attention.
The Swedish Museum of Architecture is housed in what used to be the drill hall when the island of Skeppsholmen was a naval base. When the base was decommissioned the drill hall was originally turned into the Museum of Modern Art (Moderna Museet). It was in 1998 when the Museum of Modern Art got a new modern building that the old drill hall was handed over to the Museum of Architecture.
I’d spent most of the day looking at the amazing sculptures in Millesgården, the former home of sculptor Carl Milles, and then gone straight to late-night opening at the Moderna Museet. So I was feeling pretty tired, hungry and arted-out.
But as I still had an hour before closing time and a ticket that allowed me entry into the Museum of Architecture, which is right next door, I couldn’t resist popping in.
I was glad I did and ended up staying until closing time.
The main exhibition hall had an exibition on cycling and all things bike.
I particularly liked this bamboo bike.
The information panel pointed out that bamboo is strong, versatile, cheap and fast-growing; all attributes that make the bikes ecological, sustainable, recyclable and energy-efficient to produce. Although bamboo bikes date back to 1894, these attributes make them perfect for answering today’s issues of global climate change, poverty and unemployment.
I want a bamboo bike.
I also want a bike like this. One where I can make myself a smoothie as I cycle along.
Or maybe I can install a coffee machine instead?
This push-bike comes with a motorbike-style sidecar attached.
I’m not sure I’d want to pedal a passenger around, but if I had a bike like this I’m sure I could convert the sidecar into an office or bedroom.
This is a Swedish military bike from 1950. It was used by a dog-handler who would sit his dog on the little platform.
I’m thinking it would make a great table or desk.
And then there was this one. An all-enclosed trike. It’s orange, so I wouldn’t change a thing.
The exhibition wasn’t all bedazzling bikes, but had a serious and informative side too.
This diagram shows how most road planners assign usage of the road systems. It contrasts it with a much more ideal way where bikes and pedestrians come first, rather than cars.
The information panel pointed out that although bikes used to be seen as a means of transport for the less well-off and as a way of giving access to public spaces for all classes, they are now much more likely to be seen as a social signifier identifying the middle-classes. Encouraging a cycle culture that includes all classes should be a priority for every city.
Besides the bike exbibition there was also an exhibition on the design of buildings, but it was getting late by this time and I had to rush through it.
I did learn how the use of space in our homes has changed over the decades. No-one really has a parlour anymore for example. Also kitchens, which used to be the heart of the home, shrank in size with the advent of technology in the 1950s – the future was seen to involve the mere reheating or rehydrating of food rather than actual cooking, and the kitchens reflected this, giving more space to leisure rooms instead.
I finally left the museum and made my way, with aching feet and a rumbling belly, back to the hostel. I’d had a whole day immersed in sculpture, art and architecture.
Naked anglers, plates of spaghetti and men propping up a bar. Well, it is modern art.
I like art.
Modern art I either love or just don’t get.
As I wouldn’t want to miss out on the chance of seeing art I might love, I had to visit Stockholm’s Moderna Museet.
I went to the late-night opening after spending the whole day wandering around the sculptures at Millesgården and so was pretty tired and had already seen quite a lot of amazing art that day.
It probably wasn’t the best time to go, but I only had four days and wanted to make the most of them. I thought being tired and all arted-out might have swayed my opinion towards the negative end of the spectrum. But no, I got a new lease of life and really enjoyed the museum and the art and was really glad I’d made the effort rather than just going back to the hostel and lying on my bed with my Kindle and a cup of tea.
The first thing I saw, before I even got up to the museum was yet another Carl Milles sculpture. Good job I like them.
Once in the grounds of Moderna Museet I came across this installation.
Calder is an American sculptor who lived from 1898 to 1976. The Four Elements was created as a giant metal sculpture (it stands about 10 metres tall) in 1961 from a model he’d originally made in 1938. The sculpture is motorised and turns slowly. I love bright blocks of bold colour so this was a winning start for me.
The museum is on the island of Skeppsholmen which was formerly a naval base. The museum began its life in what had been the drill hall. In 1998 a new specially designed building was built to house the museum. This now adjoins the old drill hall which these days houses the architecture museum.
The modern new building is light and spacious. Although there were quite a lot of visitors, it never felt crowded. And there were plenty of benches I could sit on to rest my tired legs admire the art.
Here’s another nice bench to sit on. This one also has a good view of more than just the art.
The art really interested me, particularly an exhibition of Nils Dardel’s work, and below are photos of a few of my favourite pieces.
In 1917 Dardel travelled through Russia after a visit to Japan. It was the time of the Revolution and his painting of the Trans-Siberian Express shows both the exterior of the train passing through the countryside and the interior with the carriages filled with soldiers.
This picture appealed to me both as a piece of art and because I’m interested in the Trans-Siberian Express and even have a journey aboard it listed as one of my 60 things to do before I’m 60.
This painting of men propping up a bar shows that some things never change.
The above three Nils Dardel paintings show how the same idea can be used multiple times. I could take a blogging lesson from this!
These two paintings of The Dying Dandy have subtle differences. I found it really interesting to see different versions of the same painting side-by-side like this.
There was something about this one that really drew me towards it (and no, not just because it’s a naked man).
There was a lot more to see than just the Nils Dardel exhibition, though that was my favourite part.
I didn’t really understand this part of the exhibtion.
Nor this bit. Though I did sort of like the sheep.
And I think the only reasons I liked this one are because I used to drive a Ford and one of my niece’s favourite foods is tinned spaghetti. So it reminded me of my first car and my niece. I’m really not sure how spaghetti fits in with the title though.
The spaghetti was making me hungry and it had been a long day. But as I still had a little bit of time left before the museum closed, I ignored my rumbling stomach and paid a quick visit to the adjoining architecture museum which was included with the price of my ticket.
A boat that sank 300 years ago and a Viking called Gustav.
Ok, so I’m a bit obsessed with Vikings. I know I shouldn’t approve of mobs of wild men who go out raiding, pillaging and generally scaring the living daylights out of everyone who comes across them, but there’s something about them that fascinates me. It’s probably their zest for life and intrepid travel that attracts me.
Of course I couldn’t go to Stockholm and not visit Vasa. It’s the biggest tourist attraction in the city. What the Tower is to London, Vasa is to Stockholm. The Tower of London gets almost 3 million visitors a year; Vasa gets 1.2 million. But when you think that London is one of the world’s major capital cities and is an important hub for air travel, then you realise that Stockholm is punching well above its weight with Vasa.
I knew this meant it would be crowded and I thought it could well be tacky, but it’s not every day I get the chance to visit a massive Viking ship that lay on the bottom of the sea for 300 years before being raised in a death-defying recovery operation.
Vasa was actually so much better than I expected. Yes, it was crowded, but not so much that I felt hemmed in or unable to see anything.
The ship sits in the middle of a huge hall with various levels of floor wrapped around it. Some parts have been restored, but others have been left open so the inside can be seen.
I started with a tour. The guide was really informative and walked the small group round the ship talking about the history, the design, the engineering, the recovery and of course, how it sank in the first place.
It was on its maiden voyage and only made it 1300 metres before going down due to being top heavy with all the cannons it was carrying into battle.
Even the Titanic did better than that!
Over a period of twelve years, more than a thousand pigment samples have been taken from Vasa. All in all, twenty different kinds of paint have been found.
A small replica ship has been built showing how brightly coloured the original Vasa would have been when it set sail.
How stunning is this? And how different to the dull brown that I assumed the ship would have been.
Although the bulk (literally as well as figuratively) of the exhibition is taken up with the Vasa itself, there are plenty of other related displays too.
The one that interested me the most was about the skeletons found in the boat. Using modern technology, several of the skeletons have had facial reconstructions so we can see what they would have looked like. Scientists have also been able to discover facts about their lives from their bones.
After spending several hours looking at everything, reading everything and photographing everything it was time for fika.
The cafe has a wonderful outdoor area that made feel like I was sat on a boat, albeit a more comfortable one than the Vasa.
The former home of Carl Milles is now a sculpture garden dedicated to his work.
Millesgården is fabulous. Especially on a hot, sunny day.
This was my first day in Stockholm after my travels ‘up north’ and I didn’t want to miss a moment of the sunshine by spending it indoors.
A metro from the hostel followed by a bus journey and a 10 minute walk brought me to the former home of sculptor Carl Milles and his wife Olga. The house and the beautiful garden were given to the people of Sweden in 1936 and now form a museum and stunning sculpture garden.
As Stockholm splashes itself across an archipelago, you’re never too far from water. Millesgården is no exception and the Baltic laps at the edges of the garden providing some lovely views.
The various parts of the garden have been designed to reflect different themes such as the Lower Terrace which was inspired by an Italian piazza (the Milleses spent many winters in Rome).
The house contains art and more sculpture.
A smaller, separate, house is known as ‘Anne’s House’. This was built in the 1950s when Carl and Olga returned from living in the USA. The house was lived in by Carl’s assistant, Anne. The house has been left as it was and the rooms can be viewed through glass panels.
I spent pretty much the whole day wandering around and went completely overboard with the number of photos I took.
Millesgården’s website has a lot of information about the history of the house and garden and the stories behind the sculptures.