L S Lowry, Jock McFadyen and … er … Tim Peake

The nearest I’ll probably ever get to going to the moon.

I’d never heard of Jock McFadyen until the most amazing picture of a giant moon popped up as a Facebook advert.

I had to go to see the actual painting. Fortunately, the painting was part of an exhibition at the Lowry which is just a tram ride away. I hadn’t looked round the Lowry Gallery for years so was keen to spend a few hours in the gallery, revisiting the L S Lowry collection as well as seeing the Jock McFadyen exhibition (he’s the one who painted the giant moon, in case you haven’t guessed).

Outside the Lowry at dusk. Lights are reflecting in the rain.  https://www.invertedsheep.com
The Lowry in Salford Quays

The Lowry is a very modern theatre and gallery complex in Salford Quays. It opened in 2000 and is home to many of the works of local artist, L S Lowry (he’s the one who painted all the grimy mill scenes with matchstick men), who it is named for. The building is a bit of a work of art in itself – designed by architects James Stirling and Michael Wilford, it is modern and futuristic looking.

Inside the Lowry Gallery. Airy and spacious. Paintings on one wall, a map and photos on another. https://invertedsheep.com
Inside the Lowory art gallery
View over the water from the Lowry Gallerry. https://invertedsheep.com
Looking out over Salford Quays from the Lowry

Although the Lowry is free to visit, Covid restrictions mean limited numbers are allowed in and so you have to book a timed ticket. As I booked, I realised that during the afternoon, the astronaut, Tim Peake, would be speaking in the theatre. Look at pictures of the moon in the morning and listen to an astronaut (who hasn’t actually been to the moon, but has been a lot closer than I’ll ever get) in the afternoon. It sounded like a perfect day so I booked myself a Tim Peake ticket too.

man in flat cap and brown overcoat. Head and shoulders only. Side on but face turned to the camera. https://invertedsheep.com
LS Lowry: Self Portrait, 1925

I’d forgotten just how great the Lowry Gallery is. I ended up spending about 3 hours looking at all the Lowry paintings, reading all the information, watching a film about his life and doing a free guided tour of his works.

Girl, head and shoulders. Red jumper. Dark hair tightly pulled back. Black kohl and red lipstick. https://invertedsheep.com
LS Lowry: Portrait of Ann, 1957 – from the blurb: ‘According to Lowry this work was the first portrait he had painted in nearly 30 years. Lowry described the sitter as aged 25, from Leeds and ‘daughter of some people who have been very good to me.’ He also described her as his godchild Ann Hilder (or Heider). Despite extensive research, no one has yet been able to confirm the identity of Ann. It is possible she was an imaginary figure based on the young friends he knew, although those who heard him speak of her never doubted her existence.’

two paintings side by side of a chunky looking girl with masses of long dark hair. She's all dressed in black. One from the front and one from the back. https://invertedsheep.com
LS Lowry: Girl Seen from the Front and Girl Seen from Back, 1964. From the blurb: ‘This child with long hair is one of the characters in Luigi Pirandello’s 1925 play Six Characters in Search of an Author. Lowry recalled it was ‘… the only time in my life I have been strongly influenced by a play. I went to see it 9 times. By the 3rd visit I had become interested in the child with the long hair. By the 4th I thought: ‘I’m gone, I’m gone – I’m bats about this child.’ … The visual aspect of those characters fascinated me … Years before I had seen Hindle Wakes by Stanley Houghton and that was an influence; but this play was different … it mesmerised me.”
Painting of a terraced house on a street corner. https://invertedsheep.com
LS Lowry: David LLoyd-George’s Birthplace, 1958. From the blurb: ‘David Lloyd’George has been described as ‘the most famous Welshman ever born in Manchester’. He is amongst the chief architects of the UK’s welfare state and campaigned for progressive causes until his death in 1945. Thirteen years later, Lowry painted this house: a ‘two-up, two-down’ on a street in Chorlton-on-Medlock, similar to hundreds of others in and around Manchester and Salford. Lowry presumably respected the achievements of a man, like himself, from a lower middle-class family who had gone on to forge immense national recognition.’
Painting of red brick bouses. A window with small square panes dominates the centre of the picture. A small vase of flowers sits on the sill. https://invertedsheep.com
LS Lowry: Flowers in a Window, 1956
Very white painting with a long barge in the centre. https://invertedsheep.com
LS Lowry: Waiting for the Tide, South Shields, 1967 – something I’d never really paid attention to before, is that most of Lowry’s paintings, even the gloomy factory ones, have a white background which lends even the gloomiest of them a particular lightness.

I didn’t like all the Jock McFadyen pictures, but I did like most of them. And I really liked the moons. Moons, plural, because there were actually two moon paintings. The exhibition is worth visiting for those alone.

Dark background with a large white textured moon. Some detail is at the very bottom of the picture and difficult to see. https://invertedsheep.com
Jock McFadyen: Manchester Ship Canal, 2019 – The moon paintings were just as amazing as I’d hoped. I’ve brightened this one up a bit so you can see the the detail along the bottom of the painting. You have to look closely as the painting is dominated by the giant moon.
Dark background with a large white textured moon. Some detail is at the very bottom of the picture and difficult to see. https://invertedsheep.com
Jock McFadyen: Oban, 2018 – Again I’ve brightened this one up so you can see the detail at the bottom.
A desolate looking fairground sits in the centre of the painting. The sky is light blue, pink and yellow.  https://invertedsheep.com
Jock McFadyen: Lost Boat Party, 2020 – I loved the colours in this one. It seems quite typical of a lot of his paintings to have a lot of detail in the distance in the middle of the painting and then loads of space all around.
A big sky with a few dark clouds. A derelict bus sits in the centre of the painting.
Jock McFadyen: Somewhere on Harris 4, 2018 – desolate but gorgeous
A waterscape with reeds and birds in the foreground.  https://invertedsheep.com
Jock McFadyen: From Jura Looking West, 2010 – not sure how much I liked this one, but with all the detail in the forefront it stood out from many of his others
Dark and light sky, light sands and a lonely dog.  https://invertedsheep.com
Jock McFadyen: Carnoustie, 2012 – I just love the dreaminess of the light and dark in this one
Very pink sky. Land can be seen in the distance.  https://invertedsheep.com
Jock McFadyen: Fife, 2019 – I was in Fife in 2019 and don’t remember any skies quite like this. I think there’s a bit of artistic licence going on, but aren’t the colours gorgeous?
A beach scene. Half sand and half blue sky.  https://invertedsheep.com
Jock McFadyen: The Beach, 2017 – you might not want to look too closely at this one! (You’ve been warned!)
Lots of blue sky with waste ground and a derelict building that looks like a face.  https://invertedsheep.com
Jock McFadyen: Looking Out to Sea 4, 2005 – this is one of his more bizarre paintings that I couldn’t decide if I liked or not
Tall building in the background. Dark grey and very light pink sky.  https://invertedsheep.com
Jock McFadyen: From the Greenway 3, 2003 – I absolutely loved the light in this one
Gold painting. A diagonal line with the top halves of 3 people symbolises the escalator.  https://invertedsheep.com
Jock McFadyen: Escalator 2, 1998 – the gold in this was so shimmery!
2 painted car doors each with the head of driver to be seen.  https://invertedsheep.com
Jock McFadyen: Metallic Paint, 1984 and In the Car 6, 1984 – these were almost life-size.

What I really liked about the gallery and the exhibitions was that where Lowry and McFadyen had painted a similar theme, they had them displayed side-by-side. Sometimes there were three paintings displayed together, the third one being by a local schoolchild who had won an art competition creating a work inspired by a Lowry painting.

I took so many photos. I know there’re a lot of photos in this post, but this is just a tiny sample of the ones I took and I found it really hard to even cut them down to this many. The colours in the Jock McFadyen paintings are amazing and the photos just don’t do justice. Also, if you’re wondering why some have been taken at funny angles, in some cases it’s because I was trying to get as little reflection as possible; in others it’s because some of the Jock McFadyen painting are HUGE and it’s not possible to get the whole painting in unless you stand to one side a bit.

Inside view of the Lowry gallery. A sculpture of 2 male figures is in the foreground.  https://invertedsheep.com
Procession Figure 1, 1990 and Procession Figure 2, 1990 (I couldn’t see the name of the artist)

The Tim Peake talk was great too. It was a talk in two halves, the first part being about his early life and career and how he came to be chosen to live on the International Space Station. The second part was about life on the space station. It was this bit that got the geeky anthropologist in me really interested. He spoke about having to isolate before going into space to make sure he didn’t take any infectious diseases up there (I think we can all relate to that after the past two years), about the launch and journey to the space station and then about life onboard.

It was the everyday details I liked best. And the bits about how you have to retrain your brain over the simplest things. For example, you can’t just ‘put something down’. And you have to re-learn how to throw. When you throw a ball (or anything) on earth your brain automatically calculates a curved trajectory. You don’t think about it, you just do it. This doesn’t work in space, because the ball would start out on the upward part of the trajectory and, so long as it had propulsion, would just keep on going up. So you have to learn to throw dead straight. Then of course, you get back to earth six months later and have to unlearn all the new ways and reprogramme yourself with the old ways again. Fascinating.

If you get the chance to hear Tim Peake speak, I recommend you grab yourself a ticket. And if you’re near the Lowry I recommend you pop into the gallery too.

Have you been to the Lowry? Are you familiar with Lowry’s works? And who was the best speaker you’ve heard? Share your thoughts and recommendations in the comments below.

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Author: Anne

Join me in my journey to live a life less boring, one challenge at a time. Author of the forthcoming book 'Walking the Kungsleden: One Woman's Solo Wander Through the Swedish Arctic'.

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